About
My work focuses on issues of environmental interaction and sonorous individuation. These concerns are often realized through technological means in installation and performance settings. My current installation work seeks to test the role of sound as a catalyst of movement and a material for the construction of intensive spaces. Performances are mostly improvised and are built upon circuits, earth and code.
I am currently a PhD candidate at Culture Lab, Newcastle University.
My PhD project can be briefly summarized as follows:
My research suggests that current practices active at the intersection of sound-art and architecture express a theory of sonorous individuation. Such a theory is mapped out with reference to sound and architectural theory, contemporary and historical sound-art practices and related technologies, and philosophical concerns relating specifically to the work of Gilles Deleuze.
This project is supervised by Lars Iyer, Sally Jane Norman and Andrew Ballantyne
photography: poportis