examples of work:

[click on the titles to access .mp3s]

Cutter:
This is an excerpt from an improvised performance using ambient feedback, home made electronics (see image below) and live coding in SuperCollider.




|crl|:
Excerpt from an experiment in generative audio performance. A simple sound source, in this instance the sound of a bag of gravel being pushed accross a table top, is fed into a generative system for reorganisation and spatialization. The use of a generative algorithm is intended to remove the need for the performer to pay constant attention to a computer and it's limited interface, freeing them to manipulate more tangible materials and concrete sound sources.


Full Field:
Excerpt from an improvised performance using feedback, home made electronics and live coding.


(c)Inns:
An early experiment in generative audio. This is part of an ongoing project in deriving material from the simplest of auditory elements. In this piece a single crackle starts the process.


All The Pressures of the Body:
A performer sings a single note for as long as possible, expelling every last breath. The note is recorded by a computer as it is sung. The fluctuating pitch, amplitude and length of the note is measured and recorded. These values are then used as the primary data source for the manipulation of the recorded audio over the course of an installation.
This piece is part of an ongoing interest in using generative procedures to derive maximal detail from the simplest of sound sources. 

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